In lesson one we take a look at “Skip To My Lou” in C and G.
The Harmonica video series will be updated on Mondays, Wednesdays and Fridays. Just like The Daily Frail, each lesson will go offline when a new one goes up. An archive DVD will be available once we have enough lessons to fill a disk.
He drew a circle that shut me out–
Heretic, a rebel, a thing to flout.
But Love and I had the wit to win:
We drew a circle that took him in!
Naming a cat is a complicated process. You have to get to know the animal – and you also have to give the cat time to decide if you are worthy for the task of being its human.
When the kitten arrived at 6 Potomac Street the shelter had been calling her Savannah.
Now after a long period of getting to know each other, my parents have decided that Savannah wasn’t a got fit and changed her name to Pooka.
It’s an Irish thing. You can read up on the Pooka on Wikipedia.
My brother Carlos proving that Gm tuning is the preferred tuning of the Galactic Empire.
The fountains mingle with the river,
And the rivers with the ocean;
The winds of heaven mix forever
With a sweet emotion;
Nothing in the world is single;
All things by a law divine
In another’s being mingle–
Why not I with thine?
See, the mountains kiss high heaven,
And the waves clasp one another;
No sister flower could be forgiven
If it disdained its brother;
And the sunlight clasps the earth,
And the moonbeams kiss the sea;–
What are all these kissings worth,
If thou kiss not me?
~Percy Bysshe Shelley
Wilson and Pilcer and Snack stood before the zoo elephant.
Wilson said, “What is its name? Is it from Asia or Africa? Who feeds
it? Is it a he or a she? How old is it? Do they have twins? How much does
it cost to feed? How much does it weigh? If it dies, how much will another
one cost? If it dies, what will they use the bones, the fat, and the hide
for? What use is it besides to look at?”
Pilcer didn’t have any questions; he was murmering to himself, “It’s
a house by itself, walls and windows, the ears came from tall cornfields,
by God; the architect of those legs was a workman, by God; he stands like
a bridge out across the deep water; the face is sad and the eyes are kind;
I know elephants are good to babies.”
Snack looked up and down and at last said to himself, “He’s a tough
son-of-a-gun outside and I’ll bet he’s got a strong heart, I’ll bet he’s
strong as a copper-riveted boiler inside.”
They didn’t put up any arguments.
They didn’t throw anything in each other’s faces.
Three men saw the elephant three ways
And let it go at that.
They didn’t spoil a sunny Sunday afternoon;
“Sunday comes only once a week,” they told each other.
And then there was St Kevin and the blackbird.
The saint is kneeling, arms stretched out, inside
His cell, but the cell is narrow, so
One turned-up palm is out the window, stiff
As a crossbeam, when a blackbird lands
And lays in it and settles down to nest.
Kevin feels the warm eggs, the small breast, the tucked
Neat head and claws and, finding himself linked
Into the network of eternal life,
Is moved to pity: now he must hold his hand
Like a branch out in the sun and rain for weeks
Until the young are hatched and fledged and flown.
And since the whole thing’s imagined anyhow,
Imagine being Kevin. Which is he?
Self-forgetful or in agony all the time
From the neck on out down through his hurting forearms?
Are his fingers sleeping? Does he still feel his knees?
Or has the shut-eyed blank of underearth
Crept up through him? Is there distance in his head?
Alone and mirrored clear in love’s deep river,
‘To labour and not to seek reward,’ he prays,
A prayer his body makes entirely
For he has forgotten self, forgotten bird
And on the riverbank forgotten the river’s name.